World-famous movie critic Roger Ebert lost his ability to speak, eat or drink when he was treated for thyroid cancer and had his jaw removed in 2006. Now, a Scottish company called CereProc has literally given Ebert his voice back via software that uses old recordings of his voice to determine speech patterns and how he would pronounce certain words, and then used this information to re-create his voice (which, Ebert notes, is currently in “beta”):
Before I lost my voice due to cancer-related surgery, I’d recorded commentary tracks for some movies on DVD: “Citizen Kane,” “Casablanca,” “Floating Weeds,” “Dark City” and, ah, “Beyond the Valley of the Dolls.” These tracks had been recorded separately from the movies, so they could be edited to fit scenes. They might be “pure” audio. I asked two friends of mine, Ronnie Sass of Warner Bros. and Kim Hendrickson of the Criterion Collection, if they still had the original digital recordings. They rummaged in warehouses and found they did. So did New Line and 20th Century-Fox, studios for which I’d also recorded commentary tracks.
This began a back-and-forth process with CereProc, which had to transcribe every recording with perfect accuracy so they could locate every word. The “normal person” may use 5,000 words, not all of them on the same day. A college professor may use 15,000. Shakespeare used more than 25,000, but he was making up a lot of them as he went along.
Anyway, CereProc didn’t need to hear me speaking a specific word in order for my “voice” to say it. They needed lots of words to determine the general idea of how I might say a word. They transcribed and programmed and tweaked and fiddled, and early this February, sent me the files for a beta version of my voice. I played it for Chaz, and she said, yes, she could tell it was me. For one thing it knew exactly how I said “I.”
Ebert will be debuting his new speaking voice, which he’s dubbed “Roger, Jr.,” on the Oprah Winfrey Show tomorrow, March 2.
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